No longer does he
roam the heaths of Hounslow or Bagshot; no longer does he track the
grazier to a country fair. Fearful of an encounter, he chooses for the
fields of his enterprise the byways of the City, and the advertisement
columns of the smugly Christian Press. He steals without risking his
skin or losing his respectability. The suburb, wherein he brings up
a blameless, flat-footed family, regards him as its most renowned
benefactor. He is generally a pillar (or a buttress) of the Church, and
oftentimes a mayor; with his ill-gotten wealth he promotes charities,
and endows schools; his portrait is painted by a second-rate
Academician, and hangs, until disaster overtakes him, in the town-hall
of his adopted borough.
How much worse is he than the High-toby-cracks of old! They were as
brave as lions; he is a very louse for timidity. His conduct is meaner
than the conduct of the most ruffianly burglar that ever worked a
centre-bit. Of art he has not the remotest inkling: though his greed
is bounded by the Bank of England, he understands not the elegancies of
life; he cares not how he plumps his purse, so long as it be full; and
if he were capable of conceiving a grand effect, he would willingly
surrender it for a pocketed half-crown. This side the Channel, in brief,
romance and the picturesque are dead; and in France, the last refuge of
crime, there are already signs of decay. The Abbe Bruneau caught a whiff
of style and invention from the past.
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