But I will try to give the noble lord the
reason for these private theatricals, and the reason why, however
ardently he may desire to ring the curtain down upon them, there is
not the faintest present hope of their coming to a conclusion. It
is this:- The public theatricals which the noble lord is so
condescending as to manage are so intolerably bad, the machinery is
so cumbrous, the parts so ill-distributed, the company so full of
"walking gentlemen," the managers have such large families, and are
so bent upon putting those families into what is theatrically
called "first business"--not because of their aptitude for it, but
because they ARE their families, that we find ourselves obliged to
organize an opposition. We have seen the Comedy of Errors played
so dismally like a tragedy that we really cannot bear it. We are,
therefore, making bold to get up the School of Reform, and we hope,
before the play is out, to improve that noble lord by our
performance very considerably. If he object that we have no right
to improve him without his license, we venture to claim that right
in virtue of his orchestra, consisting of a very powerful piper,
whom we always pay.
Sir, as this is the first political meeting I have ever attended,
and as my trade and calling is not associated with politics,
perhaps it may be useful for me to show how I came to be here,
because reasons similar to those which have influenced me may still
be trembling in the balance in the minds of others.
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