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Mott, F. W.

"The Brain and the Voice in Speech and Song"

the muscles of phonation in the
larynx, the muscles of articulation in the tongue, lips, jaw, and palate,
and the muscles of costal respiration. _The mind_ of the orator, actor, and
dramatic singer exercises a profound influence upon the respiratory system
of nerves, and thereby produces the necessary variations in the force,
continuance, and volume of air required for vocal expression.
Sir Charles Bell, who discovered the respiratory system of nerves, pointed
out how the lungs, from being in the lower animals merely the means of
oxygenating the blood, become utilised in the act of expelling air from the
body for the production of audible sounds--the elements of human voice and
speech. Likewise he drew attention to the influence which powerful emotions
exercise upon the organ of respiration, including the countenance, e.g. the
dilated nostrils in anger. Again, "when the voice suffers interruption and
falters, and the face, neck, and chest are animated by strong passion
working from within the breast, language exerts its most commanding
influence."
In hemiplegia or paralysis of one half of the body, there is a difference
between the two sides for ordinary automatic unconscious diaphragmatic
breathing and voluntary or costal breathing.


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