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Mott, F. W.

"The Brain and the Voice in Speech and Song"

The reed portion of the instrument acting
alone can only express emotional feeling; the resonator, the effector of
articulate speech, is the instrument of intelligence, will, and feeling. It
must not, however, be thought that the vocal instrument consists of two
separately usable parts, for phonation (except in the whispered voice)
always accompanies articulation.
In speech, and more especially in singing, there is an art of breathing.
Ordinary inspiration and expiration necessary for the oxygenation of the
blood is performed automatically and unconsciously. But in singing the
respiratory apparatus is used like the bellows of a musical instrument, and
it is controlled and directed by the will; the art of breathing properly is
fundamental for the proper production of the singing voice and the speaking
voice of the orator. It is necessary always to maintain in the lungs, which
act as the bellows, a sufficient reserve of air to finish a phrase;
therefore when the opportunity arises it is desirable to take in as much
air as possible through the nostrils, and without any apparent effort; the
expenditure of the air in the lungs must be controlled and regulated by the
power of the will in such a manner as to produce efficiency in loudness
with economy of expenditure.


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