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Cahan, Abraham, 1860-1951

"The Rise of David Levinsky"

I had not done so since I had read
Spencer. This time, however, the anniversary of my mother's
death had a peculiar meaning for me. Vaguely as a result of my
new mood, and distinctly as a result of my betrothal, I was lured
to the synagogue by a force against which my Spencerian
agnosticism was powerless
I found the interior of the building brilliantly illuminated. The
woodwork of the "stand" and the bible platform, the
velvet-and-gold curtains of the Holy Ark, and the fresco paintings
on the walls and ceiling were screamingly new and gaudy. So
were the ornamental electric fixtures. Altogether the place
reminded me of a reformed German synagogue rather than of the
kind with which my idea of Judaism had always been identified.
This seemed to accentuate the fact that the building had until
recently been a Christian church. The glaring electric lights and
the glittering decorations struck me as something unholy. Still, the
scattered handful of worshipers I found there, and more
particularly the beadle, looked orthodox enough, and I gradually
became reconciled to the place as a house of God
The beadle was a new incumbent.


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