'
'Mechanics!' cried Zaleski, starting upright for a moment, 'mechanics
to agricultural labourers! Why not elementary chemistry? Why not
elementary botany? _Why_ mechanics?'
This was the first evidence of interest he had shown in the story. I
was pleased, but answered:
'The point is unimportant; and there really is no accounting for the
vagaries of such a man. He wished, I imagine, to give some idea to the
young illiterates of the simple laws of motion and force. But now I
come to a new character in the drama--the chief character of all. One
day a woman presented herself at Orven Hall and demanded to see its
owner. She spoke English with a strong French accent. Though
approaching middle life she was still beautiful, having wild black
eyes, and creamy pale face. Her dress was tawdry, cheap, and loud,
showing signs of wear; her hair was unkempt; her manners were not the
manners of a lady. A certain vehemence, exasperation, unrepose
distinguished all she said and did. The footman refused her admission;
Lord Pharanx, he said, was invisible. She persisted violently, pushed
past him, and had to be forcibly ejected; during all which the voice of
the master was heard roaring from the passage red-eyed remonstrance at
the unusual noise.
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