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Various

"Punch, or the London Charivari, Volume 153, July 4, 1917"

LAWRENCE HANRAY. Obviously he could have collected a good deal
more of the laughter of the house if he had played less subtly. I
should put it as quite the best piece of playing in a well-played
piece. Mr. DAWSON MILWARD has made a deserved reputation as the strong
silly ass. He sustained it--with something in hand. Mr. STEPHEN EWART'S
_James_ was a quite excellent performance, not very coherent and
consistent in conception on the author's part, perhaps, and on that
account all the more difficult. Miss ESME HUBBARD gave us pathos
skilfully reserved in her clever study of an old, old countrywoman
turned trousers-maker; and little DINKA STARACE showed quite
astonishing aptitude (or the most wonderful training) in the part of
her granddaughter. Miss BABS FARREN also did well with her rather
intrusive part of _Lord William's_ daughter.
_Box B_, by Mr. COSMO GORDON LENNOX, was just a gay trifle to send us
home easy-minded to bed. _Bobby Stroud_, Zepp-strafer, kisses a pretty
(oh, ever such a pretty!) widow by mistake. And continues by
arrangement. Miss IRIS HOEY was really perfectly irresistible--something
ought to be done about it. She would have reduced the whole Flying Corps
to dereliction of duty. Mr. FRANK BAYLY had just that air of awkward
modesty which is so much more effective than plain swank as an
advertisement of gallantry, and Miss MURIEL POPE played a programme-girl
with all the skill that an artist thinks is worth putting into little
things.


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