XXVIII.
THE COMING OF NIGHT.
How the old mountains drip with sunset,
And the brake of dun!
How the hemlocks are tipped in tinsel
By the wizard sun!
How the old steeples hand the scarlet,
Till the ball is full, --
Have I the lip of the flamingo
That I dare to tell?
Then, how the fire ebbs like billows,
Touching all the grass
With a departing, sapphire feature,
As if a duchess pass!
How a small dusk crawls on the village
Till the houses blot;
And the odd flambeaux no men carry
Glimmer on the spot!
Now it is night in nest and kennel,
And where was the wood,
Just a dome of abyss is nodding
Into solitude! --
These are the visions baffled Guido;
Titian never told;
Domenichino dropped the pencil,
Powerless to unfold.
XXIX.
AFTERMATH.
The murmuring of bees has ceased;
But murmuring of some
Posterior, prophetic,
Has simultaneous come, --
The lower metres of the year,
When nature's laugh is done, --
The Revelations of the book
Whose Genesis is June.
IV. TIME AND ETERNITY.
I.
This world is not conclusion;
A sequel stands beyond,
Invisible, as music,
But positive, as sound.
It beckons and it baffles;
Philosophies don't know,
And through a riddle, at the last,
Sagacity must go.
To guess it puzzles scholars;
To gain it, men have shown
Contempt of generations,
And crucifixion known.
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