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Dickens, Charles, 1812-1870

"Pictures from Italy"


It seemed to be his duty to describe the monuments to the people--
at all events he was doing so; and when I compared him, like
Gulliver in Brobdingnag, 'with the Institutions of my own beloved
country, I could not refrain from tears of pride and exultation.'
He had no pace at all; no more than a tortoise. He loitered as the
people loitered, that they might gratify their curiosity; and
positively allowed them, now and then, to read the inscriptions on
the tombs. He was neither shabby, nor insolent, nor churlish, nor
ignorant. He spoke his own language with perfect propriety, and
seemed to consider himself, in his way, a kind of teacher of the
people, and to entertain a just respect both for himself and them.
They would no more have such a man for a Verger in Westminster
Abbey, than they would let the people in (as they do at Bologna) to
see the monuments for nothing. {2}
Again, an ancient sombre town, under the brilliant sky; with heavy
arcades over the footways of the older streets, and lighter and
more cheerful archways in the newer portions of the town. Again,
brown piles of sacred buildings, with more birds flying in and out
of chinks in the stones; and more snarling monsters for the bases
of the pillars.


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