Nevertheless she addressed
her mind to the tender question of what she could do to please him
best if he should arrive. Sighs were expended on the wish that she
had taken more notice of the tunes he played on his harp, that she
had inquired more curiously of him which were his favourite ballads
among those the country-girls sang. She indirectly inquired of Amby
Seedling, who had followed Izz from Talbothays, and by chance Amby
remembered that, amongst the snatches of melody in which they had
indulged at the dairyman's, to induce the cows to let down their
milk, Clare had seemed to like "Cupid's Gardens", "I have parks, I
have hounds", and "The break o' the day"; and had seemed not to care
for "The Tailor's Breeches" and "Such a beauty I did grow", excellent
ditties as they were.
To perfect the ballads was now her whimsical desire. She practised
them privately at odd moments, especially "The break o' the day":
Arise, arise, arise!
And pick your love a posy,
All o' the sweetest flowers
That in the garden grow.
The turtle doves and sma' birds
In every bough a-building,
So early in the May-time
At the break o' the day!
It would have melted the heart of a stone to hear her singing these
ditties whenever she worked apart from the rest of the girls in this
cold dry time; the tears running down her cheeks all the while at the
thought that perhaps he would not, after all, come to hear her, and
the simple silly words of the songs resounding in painful mockery of
the aching heart of the singer.
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