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Hardy, Thomas, 1840-1928

"Tess of the d'Urbervilles"

There was no
distinction between the near and the far, and an auditor felt close
to everything within the horizon. The soundlessness impressed her as
a positive entity rather than as the mere negation of noise. It was
broken by the strumming of strings.
Tess had heard those notes in the attic above her head. Dim,
flattened, constrained by their confinement, they had never appealed
to her as now, when they wandered in the still air with a stark
quality like that of nudity. To speak absolutely, both instrument
and execution were poor; but the relative is all, and as she listened
Tess, like a fascinated bird, could not leave the spot. Far from
leaving she drew up towards the performer, keeping behind the hedge
that he might not guess her presence.
The outskirt of the garden in which Tess found herself had been
left uncultivated for some years, and was now damp and rank with
juicy grass which sent up mists of pollen at a touch; and with tall
blooming weeds emitting offensive smells--weeds whose red and yellow
and purple hues formed a polychrome as dazzling as that of cultivated
flowers. She went stealthily as a cat through this profusion of
growth, gathering cuckoo-spittle on her skirts, cracking snails that
were underfoot, staining her hands with thistle-milk and slug-slime,
and rubbing off upon her naked arms sticky blights which, though
snow-white on the apple-tree trunks, made madder stains on her skin;
thus she drew quite near to Clare, still unobserved of him.


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