Brown was present, but how much of the
matter was ever really made plain to his comprehension he would never
say, and I am unable to conjecture.
III
This was Mr Somerton's story:
'You know roughly, both of you, that this expedition of mine was
undertaken with the object of tracing something in connexion with some
old painted glass in Lord D----'s private chapel. Well, the
starting-point of the whole matter lies in this passage from an old
printed book, to which I will ask your attention.'
And at this point Mr Somerton went carefully over some ground with which
we are already familiar.
'On my second visit to the chapel,' he went on, 'my purpose was to take
every note I could of figures, lettering, diamond-scratchings on the
glass, and even apparently accidental markings. The first point which I
tackled was that of the inscribed scrolls. I could not doubt that the
first of these, that of Job--"There is a place for the gold where it is
hidden"--with its intentional alteration, must refer to the treasure; so
I applied myself with some confidence to the next, that of St John--"They
have on their vestures a writing which no man knoweth." The natural
question will have occurred to you: Was there an inscription on the robes
of the figures? I could see none; each of the three had a broad black
border to his mantle, which made a conspicuous and rather ugly feature in
the window.
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